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The Girls show has always had an interesting soundtrack, but this season has been no exception. Seasons three and four have been filled with BANKS' "Crowded Places," AURORA's "Life on Mars," and Robyn's breakout single "Body Talk." The latest season has even featured M. Ward's "Blue Moon." Check out the music below! Here are some of our favorite songs from Girls:

BANKS' "Crowded Places"

BANKS released their sophomore album The Altar six months ago, which built on the dark sonic world of Goddess but with a more vulnerable edge. Today, they share their new track, "Crowded Places," which explores the social anxiety and heightened awareness that many women experience. It was originally written with GIRLS writer Jack Antonoff for the final episode. It is the next stop on Banks' personal journey.

This week, Banks' new single, "Crowded Places," was featured on the TV show Girls. It was featured right at the end of "Goodbye Tour" and was the perfect accompaniment to the scene. Hopefully, this song will serve as the first taste of her upcoming third studio album, which will be released on Harvest Records in 2018.

AURORA's "Life On Mars"

Norwegian singer Aurora recently covered David Bowie's 'Life on Mars' live at London's Union Chapel. This is not her first time covering the eponymous song. She has previously performed the song on BBC Radio 1 Live Lounge. Her beautiful, husky voice and emotional delivery are fitting tributes to the late icon. Watch Aurora sing the track below. You'll be moved to tears.

The song is sung in sparse and hushed tones, and evokes a sense of isolation in the protagonist, Shoshanna. As the solitary exile walks through Tokyo's empty streets, the neon lights mock her shadow. Aurora's voice is an evocative depiction of her loneliness and isolation. The song is reminiscent of the soundtrack to the 1970s Norwegian classic "La Cunte Caldo."

Robyn's "Body Talk"

Robyn's seventh studio album, Body Talk, was released on November 22, 2010, by Konichiwa Records. Earlier in 2010, the pop singer announced she would release three mini-albums before the full-length album. These mini-albums were titled 'Body Talk', 'Body and Soul', and 'Body Love'. The album features Robyn's signature sound of combining electronic sounds with a soulful approach to pop music.

Body Talk is a genre-defying album that traces its roots to disco and dance music. While it doesn't necessarily sound like club music, Robyn's music was infused with these elements to create a hypnotic atmosphere. It captured the experience of a night out. Although the album features the same sounds as her earlier releases, this one was a far cry from her more conventional fare.

Robyn's self-titled album marked her rebirth in a huge way. It was her first album to be released on her own record label and became a critical darling, spawning a two-year promotional campaign based on word-of-mouth. Robyn was skeptical about working again in 2009, but "Body Talk" proved her wrong. The album was the result of a creative burst that paved the way for the pop star of today.

Body Talk is one of the best albums of the year, but its impact has been limited by the fact that some songs are not a good fit for the album's overall theme. Although Body Talk contains great pop music, its shortcomings in song selection and inclusions make it sound repetitive. Nonetheless, Robyn has crafted a masterpiece that deserves to be recognized as Album of the Year. And despite the pitfalls of Body Talk, it's well worth a listen.

Body Talk is a powerful pop record, combining five songs from her previous mini-albums with highlights from her first two albums. The lyrics are so strong that they could easily serve as the basis for another song entirely. The lyrics capture the angst of relationships in the most moving way possible. Robyn's "Body Talk" is a powerful and deeply emotional pop album. Robyn's latest album is a triumphant return after nearly five years of silence.

M. Ward's "Blue Moon"

M. Ward's solo career began in 2000, after he left the San Luis Obispo, California, indie band Rodriguez. He later released Duet For Guitars #2 and End of Amnesia, showcasing his incredible guitar skills. His songs draw inspiration from the lost romantic songwriting of longwave. He's now confirmed that he'll record an entire album of Billie Holiday songs, which will be released on December 11th.

In this song, M. Ward explores the darkest depths of human experience in search of spirituality. His elegy for "The Blue Moon" is a heartbreaking, haunting, and moving tribute to the deceased. But unlike many artists, Ward isn't afraid of making religious statements. His sonic universe consists of music, lyrics, and art, and the songs he has created to express that vision.

Another song on the album, "Transfiguration of Vincent," features M. Ward's signature cheekiness. While most of the album focuses on dark, folk-inspired sounds, the lyrics on "Vincent O'Brien" reflect the song's title, a reference to John Fahey's famous "Blue Moon." Ward's vocals are heartbreaking, and his songs are laced with smart lyrics and an ethereal tone.

M. Ward's "Blue Moon" is a simple song with a complex musical theme. The chorus is full of harmonics, a progression that Mozart also used in his symphonies. While it is deceptively simple, it is also a powerful and profound tune. In addition to its catchy tune, it is also one of the first songs I learned to play. While it's a beautiful tune, the lyrics must be complemented by good lyrical concepts.

M. Ward's "Blue Moon" is a timeless standard with a complicated history. It was written by Richard Rodgers and Lorenz Hart in 1934. It is considered one of the first examples of a popular song's "50s progression" and was a hit for various artists in 1949. The song became an enduring classic in the pop charts. It was recorded by artists including Al Bowlly, Connee Boswell, and Ray Noble.